Private investigator Luke Harding (James Clayton) reads a book of sinister origins owned by seedy crime lord Mr. Fairweather (Matt Frewer). Unbeknownst to Luke, the book is a much sought after supernatural artifact and Fairweather's greatest rival, the enigmatic Mr. Lamont (William B. Davis), begins pursuit of Luke with his trustiest henchmen Boston (Michael Matic) & Jacob (Costas Mandylor). While the criminal underworld is desperate to retrieve the book and harness its power for their own dark agendas, it's evil begins to take root in Luke's apartment; pitting himself, his daughter (Taylor Hickson) and his secret love Monica (Elysia Rotaru) in a fight for their lives... and their eternal souls.

Peter, a failed tennis star, is struggling to rebuild his life after a car accident forces the end of his career. Angry at the world's consumerist values and his controlling father, Arnie, who he blames for being absent during his mother's dying days, Peter is desperately searching for a moment's peace. In an attempt at normality, he heads to a bar for a night out, where he encounters recently divorced and grieving Tess, abandoned and lonely. Finding solace in each other's brokenness, they withdraw to Peter's apartment and begin a sensual love affair. Days of bliss pass by, and when Tess reluctantly tries to leave to deal with the aftermath of her divorce, Peter proposes an idea: isolate themselves in his apartment to create their own reality - CANDiLAND. Now cut off from the world, the tormented lovers embark on a dogmatic quest for a higher existence. But their possessive love descends into a surreal savagery as Arnie attempts to reconnect with his son and put an end to CANDiLAND.

After a car crash, Jamie, 30, comes to, locked in a room at a factory. Her son, a diabetic, is missing. A man wearing a ski mask comes into the room and tells her that she must help him find her husband who has stolen millions from his boss. He says her husband is a killer and a drug trafficker. Jamie is certain it's a mistake. Her captor insists she help him or lose her son. He brings her audio tapes made in their apartment demanding she figure out how her husband was communicating with an accomplice. She has only 12 hours before she and her son will die. Can she force herself to believe that she has been betrayed - and then what? There's no way out, yet she resolves to save her son.